{"id":103,"date":"2005-06-04T19:18:01","date_gmt":"2005-06-05T00:18:01","guid":{"rendered":"https:\/\/hightwo.net\/two\/ht005\/"},"modified":"2005-06-04T19:18:01","modified_gmt":"2005-06-05T00:18:01","slug":"ht005","status":"publish","type":"post","link":"https:\/\/hightwo.net\/two\/ht005\/","title":{"rendered":"Make A Rising: Rip Through the Hawk Black Night"},"content":{"rendered":"<div id=\"attachment_197\" style=\"width: 210px\" class=\"wp-caption alignright\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-197\" loading=\"lazy\" class=\"size-full wp-image-197\" title=\"ht005\" src=\"https:\/\/i0.wp.com\/hightwo.net\/two\/wp-content\/uploads\/2009\/02\/ht005.jpg?resize=200%2C200&#038;ssl=1\" alt=\"HT005 - Make A Rising\" width=\"200\" height=\"200\" srcset=\"https:\/\/i0.wp.com\/hightwo.net\/two\/wp-content\/uploads\/2009\/02\/ht005.jpg?w=200&amp;ssl=1 200w, https:\/\/i0.wp.com\/hightwo.net\/two\/wp-content\/uploads\/2009\/02\/ht005.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/hightwo.net\/two\/wp-content\/uploads\/2009\/02\/ht005.jpg?resize=100%2C100&amp;ssl=1 100w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><p id=\"caption-attachment-197\" class=\"wp-caption-text\">Make A Rising - Rip Through the Hawk Black Night<\/p><\/div>\n<ol>\n<li>Look at My Hawk<\/li>\n<li>Song for Dead Nickie<\/li>\n<li>When Moving West<\/li>\n<li>Plastic Giant<\/li>\n<li>Pun Womb<\/li>\n<li>I\u2019m Scared of Being Alone<\/li>\n<li>Lovely it May Seem<\/li>\n<li>Lonesome in the Skiff<\/li>\n<li>[download#10#nohits] [download#10#image]<\/li>\n<li>Partial Thoughts<\/li>\n<\/ol>\n<p>Features contributions from Nate Hardy, Dan Scofield, Doug Jerelmack,  Sharif Abdulmalik, Kelly Kietzman, &amp; Ben Leavitt.<\/p>\n<p>Recorded and mixed by <a href=\"http:\/\/billmoriarty.com\/\">Bill  Moriarty<\/a> at the Old New Planet House.<\/p>\n<p>Mastered  by Alan Douches at West West Side.<br \/>\nArtwork by Make A Rising and the <a href=\"http:\/\/tonewplanet.com\/\">New  Planet Collective<\/a>. Band photograph by Ryan Collerd.<br \/>\nAll  songs \u00a9 2004 Make A Rising.<\/p>\n<p>Tunneling its way out of the West Philadelphia netherworld, Make A Rising is a band that is beyond unique. The quintet\u2019s debut record is a swirling mix of violin, keyboard, guitars, drums, saxophone, trumpet, bells, whistles, and assorted noisemakers \u2013 all swelling together for subversively addictive pop gems. With orchestral crescendos combined with off-kilter vocals and fast-changing tempos, Make A Rising is the sound of chaos, bliss, bravado, nerves and na\u00efvet\u00e9 \u2013 avant chamber rock at its most dynamic \u2013 like Daniel Johnston singing Beach Boys songs interpreted by Naked City.<\/p>\n<p><em>Rip Through the Hawk Black Night<\/em> reflects the wooly environment in which it was created. Rooted in the fertile soil that produced the Sun Ra Arkestra and the Psychadelphia wave of indie rock, Make A Rising is part of a new wave of Philadelphia outsider rock that includes bands like Man Man, An Albatross, and Need New Body. <em>Rip Through..<\/em>. was recorded in the old dilapidated New Planet House by engineer Bill Moriarty (Dr. Dog, Man Man, Buried Beds).<\/p>\n<p>Concealed by layers of exposed innocence and dark humor, Make A Rising is a serious compositional enterprise that owes as much to Henry Cowell as Henry Cow. The band\u2019s unique sound is derived from fusing progressive rock with elements of modern composition and free-jazz abandon. Make A Rising\u2019s unique arrangements and reckless tempo shifting make the band much more exciting than other bands who attempt a similar amalgamation.<\/p>\n<p><em>Rip Through the Hawk Black Night<\/em> is a testament to the band\u2019s emphasis on creativity. It\u2019s not invention for the sake of invention, but rather a challenge to themselves to project ideas rather than reflect them. Make A Rising\u2019s vocal\/lyric na\u00efvet\u00e9 and atypical instrumentation gives the band a unique combination of both whimsical and creepy, adding to the mysteriousness of the quintet\u2019s product and process.The result is a diverse and challenging concept that invites as much as possible innovation in the fold.<\/p>\n<p>The album-opening \u201cLook At My Hawk\u201d shows Make A Rising in top form. Instruments drop in and out and crescendos come and go \u2013 it\u2019s essentially 100 minicompositions held together by a few themes in the music and gloriously layered vocals (that happen to include the lyrics that give the album its title).<\/p>\n<p>The nine other compositions showcase the band tackling new territory at every turn. From the poppy wistfulness of \u201cExpired Planet\u201d to science-fiction-inflected \u201cI\u2019m Scared of Being Alone\u201d to skronky cabaret-meets-hardcore battlefield of \u201cLonesome in the Skiff,\u201d Make A Rising manages to balance its frenetic impulses with its minimalist inclinations. When a shift or turn is possible, it is taken, but not forced.<\/p>\n<p>An earlier version of this album sold by the band at shows (then known as <em>Battle for New Planet<\/em>) was named one of          the best local CDs of 2004 by the Philadelphia <em>City Paper<\/em>.<\/p>\n<h2>Reviews<a href=\"http:\/\/pitchforkmedia.com\/record-reviews\/m\/make-a-rising\/rip-through-the-hawk-black-night.shtml\" target=\"_blank\" rel=\"noopener\"><\/a><\/h2>\n<p><span style=\"font-size: 12pt; font-family: Arial, sans-serif;\"><strong><a href=\"http:\/\/pitchforkmedia.com\/record-reviews\/m\/make-a-rising\/rip-through-the-hawk-black-night.shtml\" target=\"_blank\" rel=\"noopener\">PitchforkMedia<\/a><\/strong><span style=\"font-size: 10pt;\"> {Chris Dahlen, Oct 26, 2005}<\/span><\/span><span style=\"font-size: 10pt; font-family: Arial, sans-serif;\"><br \/>\n&#8220;Without sounding sloppy, the performance is ramshackle, with plenty  of room sound to fade into and acoustic blind spots to jump out of, making  your first listen unpredictable: breaks and free passages run longer than  you expect, and the melodic, driving sections that follow leave you wary  of what&#8217;s coming next. Needless to say, that&#8217;s what makes it so engaging.&#8221; <\/span><\/p>\n<p><strong><span style=\"font-size: 12pt; font-family: Arial, sans-serif;\"><a href=\"http:\/\/downtownmusicgallery.com\/Main\/news\/Newsletter-2005-05-20.html\">D.M.G.  Newsletter<\/a><\/span><\/strong> <span style=\"font-size: 10pt; font-family: Arial, sans-serif;\">{Michael  A. Parker, May 2005}<br \/>\nI&#8217;m completely in love with this album. I keep it by my stereo at all  times. I could easily write a few pages about this astonishingly original  experimental chamber rock pop naive song prog cinema music, but space  is limited here, so let&#8217;s do the quick-and-dirty name game. My research  reveals the following major influences on these young multi-media art  eccentrics from Philadelphia: The Beach Boys, The Ruins, Van Dyke Parks,  Henry Cow, Cheer Accident (especially &#8220;Enduring the American Dream&#8221;),  10CC (getting into this band was the major musical turning point in life  for one member), Gentle Giant, Van Morrison. &#8220;Impossible bedfellows,&#8221;  you say? That&#8217;s why I said &#8220;astonishingly original&#8221;!! Here&#8217;s  my best formula after months of analysis: Gastr Del Sol + ELO + Robert  Wyatt&#8217;s &#8220;Rock Bottom&#8221;, all noted especially for their extremely  unconventional song structure. In fact, this album is like a suite of  about 20 different moods and styles in a non-repeating sequence. Though  often absent for long stretches, vocals are critical; they&#8217;re boyish,  charming, and earnest, sometimes accompanied by banjo or piano and sometimes  decked out in fabulous harmony parts. Instrumentation in rough order of  significance: keyboards, electric guitar, drumkit, bass guitar, violin,  banjo, trumpet, saxophone, studio trickery.<br \/>\nThey rock out avant-prog style in short bursts here and there, and I want  to make special mention of one instrumental track that&#8217;s an absolutely  orgasmic marriage of RIO and math rock, starting out with something that  could almost be from Fred Frith&#8217;s &#8220;Gravity&#8221; and then moving  into slashing, dramatic stop-start attacks and cross-rhythms. But that&#8217;s  a bit of an exception for the album, which is pretty dreamy and drifty  overall. Make A Rising is the best thing to happen to experimental pop  music since Animal Collective started writing actual songs, and I&#8217;d call  it the best ambitious song album since Mr. Bungle&#8217;s &#8220;California&#8221;,  compared to which it&#8217;s homey, introspective, whimsical, and delicate,  and without the virtuosity, bombast, quotations, or big-budget sheen,  but with the same level of epic, creative, bizarre songwriting.<\/span><\/p>\n<p>Time Out: New York {Hank Shteamer, Sept 2005}<br \/>\n&#8220;Philly&#8217;s Make a Rising can genre-splice with the best of \u2019em;<em> Rip Through the Hawk Black Night <\/em> traverses melancholy Beach Boys harmonies, chilly music concr\u00e8te and clattery prog rock. But that&#8217;s not what makes the band special: For all their schizo tendencies, MAR&#8217;s songs maintain beautiful, compelling narrative threads that transcend any particular musical style.&#8221;<\/p>\n<p><span style=\"font-size: 10pt; font-family: Arial, sans-serif;\">Copper Press<\/span><span style=\"font-size: 10pt; font-family: Arial, sans-serif;\"> {<\/span><span style=\"font-size: 10pt; font-family: Arial, sans-serif;\">Christian Carey<\/span><span style=\"font-size: 10pt; font-family: Arial, sans-serif;\">, Fall 2005}<\/span><span style=\"font-size: 10pt; font-family: Arial, sans-serif;\"><br \/>\nCooing vocals are set against bumptious piano licks, discordant electronics, and animated drumming in the psych-calliope ambiance \u2026 Make a Rising is never so obsessed with eccentricity that they can&#8217;t make memorable music along the way.<\/span><\/p>\n<p><span style=\"font-size: 10pt; font-family: Arial, sans-serif;\">Washington Post <\/span><span style=\"font-size: 10pt; font-family: Arial, sans-serif;\"><br \/>\n<\/span><span style=\"font-size: 10pt; font-family: Arial, sans-serif;\">\u201cThe group does work more in movements than songs, and it takes a stab at just about every genre. Classical, cabaret, hardcore, prog, folk &#8212; it&#8217;s all there.\u201d<br \/>\n<\/span><span style=\"font-size: 10pt; font-family: Arial, sans-serif;\"><br \/>\n<a href=\"http:\/\/www.popmatters.com\/pm\/music\/reviews\/make_a_rising_rip_through_the_hawk_black_night\/\" target=\"_blank\" rel=\"noopener\">Popmatters.com<\/a> {Jennifer Kelly, Feb 2006}<br \/>\n&#8220;This is a beautiful, complicated mess of an album, and it gets more interesting every time you put it on.&#8221;<\/span><\/p>\n<p><a href=\"http:\/\/wm10.allmusic.com\/cg\/amg.dll?p=amg&amp;token=ADFEAEE4721FDE49A47720C9933441C8A67AE100D044DA971F28455A92B63E45912727E80AEFA3CEC2B674AB78ACE02CA45A099FCCE455FDD664352DED93&amp;sql=10:7sq5g4jxtvnz\" target=\"_blank\" rel=\"noopener\">All Music Guide<\/a> (Greg Prato}<br \/>\n&#8220;Picture an amalgamation of Captain Beefheart, Sun Ra Arkestra, the Beach Boys circa <em>Pet Sounds<\/em>, Radiohead, and the Flaming Lips, and you&#8217;d still only be touching the tip of the iceberg. Strap yourself in and get prepared for a wild and wooly sonic ride, especially on such standouts as &#8220;Look at my Hawk&#8221; and &#8220;Lovely It May Seem.&#8221; Make a Rising is certainly not your average band, and as expected, <em>Rip Through the Hawk Black Night<\/em> is not your average rock release.&#8221;<\/p>\n<p><a href=\"http:\/\/www.lmnop.com\/2006-January-LMNOP-Reviews.html#anchor2603\">LMNOP<\/a> {Jan 2006}<br \/>\nFive out of Five: &#8220;But is this great music&#8230;or is it just strange and offbeat? The truth is that&#8230;this album is a little of both.&#8221;<\/p>\n<p>Named one of the best local albums of the year by Philadelphia City Paper for 2004 and 2005<\/p>\n<p><!--more--><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Look at My Hawk Song for Dead Nickie When Moving West Plastic Giant Pun Womb I\u2019m Scared of Being Alone [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_eb_attr":"","advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[47,53,54,61,59,50,55],"tags":[],"class_list":["post-103","post","type-post","status-publish","format-standard","hentry","category-artists","category-cds","category-donwloads","category-ht005","category-make-a-rising","category-releases","category-store"],"jetpack_featured_media_url":"","acf":[],"jetpack-related-posts":[{"id":490,"url":"https:\/\/hightwo.net\/two\/make-a-rising-rip-through\/","url_meta":{"origin":103,"position":0},"title":"Make a Rising &#8211; Rip Through","author":"admin","date":"June 7, 2005","format":false,"excerpt":"\u00a0 Make A Rising Rip Through the hawk Black Night 2005 CD, MP3 Download","rel":"","context":"In &quot;Artists&quot;","block_context":{"text":"Artists","link":"https:\/\/hightwo.net\/two\/category\/artists\/"},"img":{"alt_text":"HT005 - Make A Rising","src":"https:\/\/i0.wp.com\/hightwo.net\/two\/wp-content\/uploads\/2009\/02\/ht005-150x150.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":843,"url":"https:\/\/hightwo.net\/two\/reviews-make-a-rising-7\/","url_meta":{"origin":103,"position":1},"title":"Reviews &#8211; Make A Rising","author":"admin","date":"March 11, 2009","format":false,"excerpt":"Author: Greg\u00a0Prato Source: All Music Guide \"Picture an amalgamation of Captain Beefheart, Sun Ra Arkestra, the Beach Boys circa Pet Sounds, Radiohead, and the Flaming Lips, and you'd still only be touching the tip of the iceberg. Strap yourself in and get prepared for a wild and wooly sonic ride,\u2026","rel":"","context":"In &quot;Artists&quot;","block_context":{"text":"Artists","link":"https:\/\/hightwo.net\/two\/category\/artists\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":4343,"url":"https:\/\/hightwo.net\/two\/reviews-make-a-rising\/","url_meta":{"origin":103,"position":2},"title":"Reviews &#8211; Make A Rising","author":"admin","date":"March 11, 2009","format":false,"excerpt":"Author: babysue Source: lmnop.com Link to this article Very weird, very artsy stuff. You have to appreciate a band making music that is certain to alienate almost everyone. Philadelphia's Make A Rising is a band on a peculiar mission. Rather than sounding like anything or anyone familiar, these folks write\u2026","rel":"","context":"In &quot;Artists&quot;","block_context":{"text":"Artists","link":"https:\/\/hightwo.net\/two\/category\/artists\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":4345,"url":"https:\/\/hightwo.net\/two\/reviews-make-a-rising-3\/","url_meta":{"origin":103,"position":3},"title":"Reviews &#8211; Make A Rising","author":"admin","date":"March 11, 2009","format":false,"excerpt":"Author: Hank Shteamer Source: Time Out: New York , Sept 2005 \"Philly's Make a Rising can genre-splice with the best of \u2019em; Rip Through the Hawk Black Night traverses melancholy Beach Boys harmonies, chilly music concr\u00e8te and clattery prog rock. But that's not what makes the band special: For all\u2026","rel":"","context":"In &quot;Artists&quot;","block_context":{"text":"Artists","link":"https:\/\/hightwo.net\/two\/category\/artists\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":9,"url":"https:\/\/hightwo.net\/two\/make-a-rising-plan-october-tour-with-cheer-accident\/","url_meta":{"origin":103,"position":4},"title":"Make A Rising Plan October Tour with Cheer-Accident","author":"admin","date":"September 19, 2006","format":false,"excerpt":"Make A Rising are hard at work on the follow-up to its debut, Rip Through the Hawk Black Night, but are taking a break from the process for a short tour in October with Cheer-Accident.\u00a0 The two bands will visist Baltimore, Philadelphia, Washington, New York, and Boston between October 14-19.\u2026","rel":"","context":"In &quot;General&quot;","block_context":{"text":"General","link":"https:\/\/hightwo.net\/two\/category\/general\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":408,"url":"https:\/\/hightwo.net\/two\/ht016\/","url_meta":{"origin":103,"position":5},"title":"Make A Rising: Infinite Ellipse and Head with Open Fontanel","author":"Daniel Piotrowski","date":"April 1, 2008","format":false,"excerpt":"Sneffels Yokul All One or None Peaceful Paths Woodsong Part One Bradford's Big Boatride [Beyond (The Dawn)] [download#3#nohits] [download#3#image] Your Karmic Obstacle Look, I'm Almost Dead How's 'Bout a Love Supreme Woodsong Part Two All Songs by Make A Rising Justin Moynihan: piano, keyboards, voice, saxaflute, accordion John Heron: percussion\u2026","rel":"","context":"In &quot;Artists&quot;","block_context":{"text":"Artists","link":"https:\/\/hightwo.net\/two\/category\/artists\/"},"img":{"alt_text":"Make A Rising - Infinite Ellipse...","src":"https:\/\/i0.wp.com\/hightwo.net\/two\/wp-content\/uploads\/2009\/02\/ht016-300x300.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/hightwo.net\/two\/wp-json\/wp\/v2\/posts\/103","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hightwo.net\/two\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hightwo.net\/two\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hightwo.net\/two\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/hightwo.net\/two\/wp-json\/wp\/v2\/comments?post=103"}],"version-history":[{"count":0,"href":"https:\/\/hightwo.net\/two\/wp-json\/wp\/v2\/posts\/103\/revisions"}],"wp:attachment":[{"href":"https:\/\/hightwo.net\/two\/wp-json\/wp\/v2\/media?parent=103"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hightwo.net\/two\/wp-json\/wp\/v2\/categories?post=103"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hightwo.net\/two\/wp-json\/wp\/v2\/tags?post=103"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}