High Two is back to where it started! The two artists that launched High Two in 2004 are both back with triumphant new recordings that have surpassed their previous records. We are super excited to present these to you. On November 14, 2006, High Two will release Momentum by Dave Burrell and Change Over Time by Sonic Liberation Front. Please click on the images for more information. They are available for sale now in the STORE.
Adam Arcuragi is featured on the cover of the new Philadelphia City Paper. This week’s is the annual Music Issue and music editor Patrick Rapa has written perhaps the best article to date on the man we call Adam Arcuragi and the album he calls “quite possibly, the best album by a Philadelphia artist this year.” Click to read.
Shot × Shot are heading out for a series of dates in the northeast and mid-west. The quartet is heading to Boston (Andover), Burlington and Montreal in October. In November, they'll be in Chicago, Minneapolis, Madison, and Pittsburgh. In between, S×S will play a show in Philadelphia as part of the Slought Jazz Festival. Full Details below.
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Make A Rising are hard at work on the follow-up to its debut, Rip Through the Hawk Black Night, but are taking a break from the process for a short tour in October with Cheer-Accident. The two bands will visist Baltimore, Philadelphia, Washington, New York, and Boston between October 14-19. They are still looking to fill a show on October 17; contact makearising@yahoo.com. Click below for full details.
Adam Arcuragi has contributed a track to the new Brendan Borek memorial fundraising CD.
The 2-CD compilation features tracks from the Yeah Yeah Yeahs, Joanna Newsom, Beautiful Girls, Ben Harper, The Black
Keys, The Weakerthans as well as unreleased music from Jack Johnson & G. Love, Pepper, McRad, The White Buffalo, Dave Quicks, Don McCloskey, and a special re-recorded version of "Rock For Light" by he legendary Bad Brains, Chino Moreno (Deftones) and Chuck Treece (McRad), as well as others.
Sonic Liberation Front is a band caught between worlds. Known for its iconoclastic combination of free-jazz passion and Afro- Cuban percussion excitement, the amorphous Philadelphia unit practically invents a new genre with each composition. Featuring a deeply talented pool of musicians trained in a variety of idioms gives the band the ability to incorporate so many genres while maintaining authenticity.
Led by percussionist Kevin Diehl, a protégé of free-jazz pioneer Sunny Murray, SLF connects his training in the post-bop tradition to his dedicated study of traditional Afro-Cuban Yoruba roots music that informs SLF’s colorful sound. Ambient electronics, innovative production techniques, and soulful vocals subtly embellish the compositions, carefully contextualizing the ancient traditional music into a new brilliant entity. While other musicians have incorporated bata drumming into jazz, none havedone it with the vigor or passion of SLF. The band members are true students of the Lukumi tradition under the guidance of percussionist/omo aña Chuckie Joseph, a lifelong Yoruba cultural scholar. It’s been said a million times that all music has its source in West Africa – and by returning the focus to its origins, SLF achieves a natural eclectism that serves as a fountain of ingenuity. Ancient to the future, indeed.
On the band’s second album, Ashé A Go-Go, Sonic Liberation Front has improved the formula that earned the band critical praise from an array of media (including The Wire, CMJ, Cadence, Philadelphia Inquirer, Jazz Magazine (France), and Time Out-New York) for its 2001 debut Water and Stone (released on Eye Dog Records).
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